Disturbances: Art and Technology

Ricardo Dominguez

Ricardo Dominguez Course Image
Syllabus: CAT3_SP13_Dominguez_Syllabus.pdf

 We will explore how art has interacted, shifted, and disturbed the frame of technology on multiple scales during the 20th and 21st centuries. With a special focus on the 1980’s and 1990’s when networked computing, biology, and edge technologies, such as nanotechnology emerged as spaces for art production. Many of the art projects we will consider have approached the frame of technology as a site for creating works that are often critical of the platforms being used. These art works have also created large-scale social and political responses that allow us to imagine what the future may look like, feel like, and what it might mean to be human in a post-human world. The class will work towards developing a final art project that uses older, current, or imagined technologies to create an aesthetic, social, and technological disturbance.  

Sections

D01
MW
09:00a - 09:50a
CENTR
204
Ana Martinez
D02
MW
10:00a - 10:50a
CENTR
204
Ana Martinez
D03
MW
3:00p - 3:50p
CENTR
204
Allison Spence
D04
MW
4:00p - 4:50p
CENTR
204
Allison Spence
D05
MW
3:00p - 3:50p
CENTR
224A
Sophia Echavarria
D06
MW
4:00p - 4:50p
CENTR
224A
Sophia Echavarria
D07
MW
7:00p - 7:50p
CENTR
202
Hanna Tawater
D08
MW
8:00p - 8:50p
CENTR
202
Hanna Tawater

Academic Programs

Pepper Canyon Hall
2nd Floor

Office Hours
Monday-Friday
8:00 AM - 12:00 PM
1:00 PM - 4:30 PM

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Spring 2013